Thứ Bảy, 11 tháng 9, 2010

Digital Lighting


DL.3 Digital Light
The DL.3 Digital Light integrates a media server loaded with a wealth of digital content with a high output 4-chip light engine, a highly sensitive HAD sensor camera and an infrared illumination system. DL.3 mounts like any other intelligent moving luminaire and controls just as easily with plug-and-play operation using standard DMX cabling and protocols. Production set-up time is reduced as there is no need for RGB cabling, and racks of servers are no longer necessary at front-of-house or backstage area.
A Content Management Application running on your MAC or PC workstation or laptop computer gives you remote control of uploading and crossloading content, upgrading software and fixture configuration for multiple DL.3 fixtures on a fixture network.

Collage Generator™

This patent-pending feature enables multiple DL.2 and DL.3 units to create seamless vertical, horizontal or central panoramic media projections controlled from a lighting console. Using multiple digital lighting fixtures allow you to increase effective screen luminance.

High End Systems not only started the digital revolution, it also offers the widest digital lighting product mix of any manufacturer, priced and scaled for any budget and solution. The DL.3 represents the fourth generation of digital lighting products from High End Systems Inc. and is the flag ship addition to the product line, which includes the Orbital Head, Axon Media Server and DL.2 digital light.
System
  • DL.3 software based on Windows XP and DirectX technology
  • Powerful Content Management and Configuration software can remotely manage multiple DL.3 fixtures
  • Integrated Sony camera with Super HAD image sensor technology and infrared illuminator provides live video input and output from fixture location.
  • Supports importing of custom content including: 3D objects, media files, still images.
  • DMX512 and Art-Net support
  • Remote software upgrade capability
  • Royalty-free stock digital art collection featuring more than 1,400 lighting-optimized files including seven new content providers and three new High End Systems stock content folders
  • RGBHV, SDI, and S-Video connections accept a wide range of media device inputs
Graphics Engine
  • Simultaneous playback of nine discrete media streams on separate 2D/3D objects
  • 36 object parameters give you graphic controls for each individual media stream including:
    • a choice of multiple play modes and play speeds
    • the ability to define any segment of a video loop including Scrub capability
    • multiple color mixing and visual effects that can be combined any way you choose
    • variable opacity to allow for crossfading or dissolves between media streams
    • full control of image rotation, positioning and scaling on X,Y and Z axes
    • visual modes that let you control brightness and contrast to optimize content
    • video input or camera capture you can apply to 2D/3D objects
  • 52 global parameters provide graphic controls to the composite image created by up to 9 media streams
    • intensity overlays the opacity control to provide system-wide intensity level
    • overall image color mixing applied to composite media stream image
    • color effects including edge colors allow for combined image color mixing
    • multiple mask selections with edge fading and strobe effects
    • Chroma Key effects to layer any content by keying on any colormix to make transparent
    • edge fading for creating montages
    • keystone correction on output projection
    • digital shutters on output projection 
    • viewpoint controls provide ability to change viewing angle/perspective on images
  • Multiple modes for synchronizing all networked DL.3 fixtures
Content Management Application (CMA)
  • Versions available for Windows and Mac operating systems
  • Communicates with Axons, DL.2 and DL.3 fixtures over an Ethernet network
  • Uploads and downloads custom digital content to DL.3 fixtures
  • Configures DL.3 fixtures with remote control of all menu commands
Hardware
  • 17 motion parameters for mechanical fixture control include:
    • mechanical iris adjustment to full black-out
    • 400-degree pan and 240-degree tilt movement
    • DMX control of projector zoom and focus
    • DMX control of vertical lens shift
    • DMX control of camera functions
  • Full color display and preview monitor/menu functions
  • Powered by an Intel Core2 Duo 2.4 GHz processor with an ATI HD2900 Graphics Processor
  • Gigabit Ethernet for fast content uploading and multiple fixture synchronization
Camera provides
    • optical + digital zoom to increase image up to 216X
    • options for 1-30 frame captures per second
    • vertical and horizontal image invert
    • black and white, color negative and freeze frame
    • white balance including red and blue gain control
  • Infrared illuminator allows video capture even in blackout settings
  • Remote video input and output switching let you select live video from external source including another DL.3 fixture's camera feed

* Specifications subject to change without notice. Certain specifications may be the result of future software releases.
* One year product warranty and technical support
Includes touring roadcase

The High End Systems products described on this site are protected by patents and pending patent applications. Patents owned or licensed by High End Systems include: US 4,392,187; US 4,602,321; US 4,688,161; US 4,701,833; US 4,709,311; US 4,779,176; US 4,800,474; US 4,962,687; US 4,972,306; US 4,980,806; US 5,010,459; US 5,031,078; US 5,073,847; 

The DML-1200 is the first moving digital luminaire which can truly be used as both a super bright, moving light source and a high quality video projector.

In light mode, the DML-1200 produces a perfectly circular light beam with a light output equivalent to that of a 1200W hard edged moving light – 12,000 field lumens, and the brightest digital light on the market today.

In video mode, the DML-1200 features a fully sealed DLP engine which delivers full color DLP quality video with SXGA+ (1400 x 1050 pixel) resolution. With a light output of 10,000 center lumens, the DML-1200 is the brightest digital light on the market today.

An internal optical dimming mechanism ensures smooth, accurate intensity control from 0 to 100%. This makes sure that your fade to black is a true black and not video black. Lighting designers are no longer limited to static, pre-selected patterns and colors. Any image, static or animated can be created and projected. All images are generated by the onboard Axon Media Server, controlled by Art-Net protocol from the lighting console.

With its brightness, unlimited image selection and the ability to seamlessly switch between video projection and light mode, cue by cue, the DML-1200 provides designers with pure creativity at their fingertips, whether for fixed or professional rental and staging applications.

Rental & Staging
  • Concert touring
  • Car shows
  • Television productions
  • Advertising & branding
  • Theater (Broadway shows)
Fixed installations
  • Theater (Broadway shows)
  • Clubs
  • Theme parks



 

Axon Media Server


The Axon Media Server, powered by the award-winning DL.3 graphics engine, provides you with all the cutting edge functions of the DL.3 fixtures including Collage Generator and Curved Surface Support—with the flexibility of choosing your own output device. Axon can feed video to Digital Lights, LED panels or large format projectors.

It’s the flexible solution for those who already have their own video display device, and want a world of unlimited image possibilities.

Axon ships with more than 1,400 stock media clips and has 200 folders for custom media clips.

Stock Content is locked down using the XP Embedded Operating System. That means all stock content is protected and consistent among all units. The XP Embedded O/S also protects Axon from drive corruption and O/S degradation over time. With the on-board content management software, you are able to move and manage the local media as well as any Axon, DL.3, or DL.2 on the local area network.

Axon media servers use the same graphics engine DMX protocol as DL.3 and DL.2 fixtures(a HUGE bonus when programming)—they operate the same way from a DMX console or via Art-Net.
.
Axon media servers include dual HD-SDI inputs and support a wide range of display resolutions.
Collage™ software feature: Collage Generator™
This patent-pending feature allows multiple media servers to create seamless vertical, horizontal or central panoramic media projections controlled from a lighting console. Collage software also provides a method for increasing effective screen luminance.

Use Axon at the Front of House area to preview content and programming for your show. Use it to pre-program DL.3/DL.2 fixtures. Connect another live video source (camera, DVD player) to Axon using HD-SDI or S-Video input. So many ways to deliver!


SYSTEM
  • Content Management and Configuration software can remotely manage multiple Axon and DL.3/DL.2 fixtures
  • Supports importing of custom content including: 3D objects, media files, still images
  • DMX512 and Art-Net support
  • Royalty-free stock digital art collection featuring over 1000 lighting-optimized files.
  • Supports a wide range of display resolutions.
  • S-Video connection accepts a wide range of media device inputs
  • Dual HD-SDI Inputs
  • Programming compatible with DL.3/DL2 fixtures
  • Software based on Windows® XP Embedded and DirectX® technology
.
System
  • Axon software based on Windows XP and DirectX technology
  • Powerful Content Management and Configuration software can remotely manage multiple Axon and DL.3 fixtures
  • Supports importing of custom content including: 3D objects, media files, still images.
  • DMX512 and Art-Net support
  • Remote software upgrade capability
  • Royalty-free stock digital art collection featuring more than 1,400 lighting-optimized files including seven new content providers and three new High End Systems stock content folders
  • Dual HD-SDI, and S-Video connections accept a wide range of media device inputs
Graphics Engine
  • Simultaneous playback of nine discrete media streams on separate 2D/3D objects
  • 36 object parameters give you graphic controls for each individual media stream including:
    • a choice of multiple play modes and play speeds
    • the ability to define any segment of a video loop including Scrub capability
    • multiple color mixing and visual effects that can be combined any way you choose
    • variable opacity to allow for crossfading or dissolves between media streams
    • full control of image rotation, positioning and scaling on X,Y and Z axes
    • visual modes that let you control brightness and contrast to optimize content
    • video input you can apply to 2D/3D objects
  • 52 global parameters provide graphic controls to the composite image created by up to 9 media streams
    • intensity overlays the opacity control to provide system-wide intensity level
    • overall image color mixing applied to composite media stream image
    • color effects including edge colors allow for combined image color mixing
    • multiple mask selections with edge fading and strobe effects
    • Chroma Key effects to layer any content by keying on any colormix to make transparent
    • edge fading for creating montages
    • keystone correction on output projection
    • digital shutters on output projection 
    • viewpoint controls provide ability to change viewing angle/perspective on images
  • Multiple modes for synchronizing all networked Axon and DL.3 fixtures
Content Management Application (CMA)
  • Versions available for Windows and Mac operating systems
  • Communicates with Axons, DL.2 and DL.3 fixtures over an Ethernet network
  • Uploads and downloads custom digital content to DL.3 fixtures
  • Configures DL.3 fixtures with remote control of all menu commands

COLLAGE GENERATOR
This software feature for Axon, DL.3 and DL.2 has been improved to offer a bigger picture with sharper images and a resolution greater than a High Definition resolution. High End has substantially increased available resolution by 4x from the previous version. Collage Generator now supports any configuration up to 8x16 arrays. Make a horizontal, vertical or central panoramic projection and increase effective screen luminance. Most panoramas can be configured in under 25 minutes.

CURVED SURFACE SUPPORT
Corrects for shape distortions when projecting onto surfaces that are not flat.
• Project Axon onto convex or concave cylinders, angular screens, spheres and disk-shaped surfaces.
• Control the amount of correction needed, as well as control the vertical and horizontal center points of the image.


HARDWARE
  • 3U standard rack mount
  • Powered by an Intel Core 2 processor with an ATI HD2900 Graphics Processor
  • Gigabit Ethernet for fast content uploading and multiple fixture synchronization
  • Dual HD-SDI Inputs

DIMENSIONS
18.3" x 3.5" x 20.8"
(65 mm x 89 mm x 528 mm)
Weight: 33 lbs. (15 kg)
 

* Specifications subject to change without notice. Certain specifications may be the result of future software releases. For a complete list of the issued patents and patents pending contact High End Systems.
.
* One year product warranty and technical support 


ArenaView™ Orbital Head System


The ArenaView™ Orbital Head is part of a complete turnkey multimedia presentation package for large-scale event facilities.
ArenaView allows venues to not only use the entire arena as a creative palette, but as a source of creative revenue for sporting events, concerts, corporate events or any other production that needs an arena or other large facility to hold it.
With an ArenaView system, you can:
  • Turn the arena floor (or ceiling) into a projected advertising space.
  • Incorporate and change video on-the-fly as excitement happens.
  • Hold audience attention during halftime, player introductions, intermissions or TV time-outs.
  • Sell customizable sponsor ad packages and let the system pay for itself.
  • Engage the crowd in interactive events, teasers, games.
  • Synchronize with broadcast output and scoreboards.
  • Hit virtually any spot in the arena with video or graphics content.
  • Create return on investment (ROI) by selling to facility renters.
ArenaView transforms your arena into a stunning visual showcase by incorporating:

  
  DL.2

Không có nhận xét nào:

Đăng nhận xét